On multiple counts a Trade is an outsider: in matters of sexuality; in terms of geographical and cultural dislocation; and in the sense of having to become the sort of respectable grown-up the society might have hoped for. But a Trade’s Identity has been constructed from his own sense of otherness, whether cultural or sexual. The two aspects are not separate.
Fashion in this case is the tool in which he feels most confident in expressing himself. It is fashion, therefore- liberating and somewhat androgynous – which he must use not just as an instrument, but as a weapon if he is to resist attacks on his integrity and, indeed, his existence on his own terms.
If a Trade chooses to trade on purpose and openly by owning up to it, then he shows that black men from the third world have not previously revealed either to their own people or the West a certain shocking fact: they can desire each other.
#MAXIVIVECRUISE #PAPAOYEYEMI #MAXIVIVE
LOOKS
BEAUTY
[su_expand height=”80″ link_color=”#4a4b4d” more_icon=”icon: caret-down” less_icon=”icon: caret-up”]CREDIT
Look 1 MODEL
FAVOUR WINNER (FOREVER MODELS)
Look 2 MODEL
ADEBAYO GANIYU (NK MODELS)
Look 3 MODEL
AYE DANIEL (TOP ISLE MODELS)
Look 4 MODEL
DANIEL JOSEPH (TOP ISLE MODELS)
Look 5 MODEL
ABASI BENJAMIN (NK MODELS)
Look 6 MODEL
OSUYA PRINCEWILL (MYBOOKER MODELS)
Look 7 MODEL
TALADE ABRAHAM (FOWLER MODELS)
Look 8 MODEL
BETHEL KAYODE (FREELANCE)
Look 9 MODEL
ATANDA OLUWATOBILOBA (FOWLER MODELS)
Look 10 MODEL
MARVELOUS ADEGBITE (NK MODELS)
Look 11 MODEL
DANIEL UCHE (FOWLER MODELS)
Look 12 MODEL
SHITTU TOFUNMI (FREELANCE)
Look 13 MODEL
DILICHUKWU DECLAN (TOP ISLE MODELS)
Look 14 MODEL
OSAZE ERIC (POSE MODELS)
Look 15 MODEL
FRANCIS IKEABA (FREELANCE)
Look 16 MODEL
ADESEWA OLAGOKE (FREELANCE)
[/su_expand]